Symbols of Oppression in the First and Final Passages of Chopin’s The Awakening :: Chopin Awakening Essays

Symbols of heaviness in the First and Final Passages of Chopins The AwakeningThe front end of birdwatchs in the first theodolite of The Awakening seems to foreshadow some of the characteristics of the protagonist. It is rather evoke that the parrot is outdoors, while the mockingbird is deep down. Perhaps this would represent the mien of opposites in this novel. The parrot seems to be provoking the mockingbird in order to deject some sort of response. This seems to point to the presence of lone ocellusss which the protagonist feels. stock-still he is being rather anti social by stating Allez vous-en Alez Vous Saprisit Thats all right I may be wrong, but I believe that means Go Away Go Away execrate it in French. This altercation between the parrot and the mockingbird could point to the presence of a jealous conflict within the characters. On the surface it seems that the parrot is rather agitated that the mockingbird, a bird that is generally found outdoors, is inside while the parrot, a domesticated pet is kept outside. Ironically though both birds are actually confine with the parrot being held in the cage and the mockingbird being trapped indoors. The cage symbolizes being trapped whether literally or figuratively. Also the presence of characters that are not unsounded by their surroundings might shed some light on the inner conflict of the novel. It is also useful to point out that the parrot, a bird which mimics its surroundings is being mimicked by a bird which also mimics, such as a mockingbird. The may point to the thinkable presence of a theme of mimicry in this novel.The final passage possesses symbols which represent freedom and terror. The tone of this passage is one of personal resolving for the protagonist. The is an emphasis upon voices throughout this passage, especially with the presence of the voices of her father and sister. It is hard to consecrate if the protagonist felt any true regret as she sank. It seems more(prenominal) like she is relieved. It is also possible that she felt as though no one could possibly understand her. There is an emphasis upon with masculinity and muliebrity in this passage. The spurs of the calvary officer clanging across the porch symbolize the well-knit masculine presence in the novel. It is possible that this strong masculine presence was what oppressed the protagonist, driving her to suicide. Directly after the strong masculine line is a very feminine one, There was the hum of bees, and the musky tone of pinks filled the air.